Les Martyrs Opera Rara

Donizetti’s Les Martyrs, revived at the Royal Festival Hall by Opera Rara and Mark Elder.

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Joyce El-Khoury and Michael Spyres in the Hallé performance of Donizetti’s ‘Les Martyrs’Russell Duncan It was hard not to feel a sudden affection for this pisseur of 70-odd operas at his best; time to.

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Opera Rara exhumed Les Martyrs, the sprawling four-act opera into which Donizetti reworked Poliuto to cater for the more extravagant tastes of Paris audiences. Poliuto is far leaner than Les Martyrs –.

The festival opens in two weeks with Donizetti’s Poliuto, but much of the same music comes round again here in this re-working for Parisian audiences called Les Martyrs. Opera Rara has recorded the.

but the outstanding contribution comes from Michael Spyres, singing with virtuosic bravado as the heroic convert. Les Martyrs is out now on Opera Rara ORC52, 3 CDs.

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Donizetti was a survivor and rewrote the work for the Opéra de Paris as Les Martyrs. This rarely staged piece gets an outing at London’s Southbank Centre on November 4, performed by Opera Rara under.

Poliuto hasn’t been professionally staged in the UK in my lifetime, and not heard since a London concert performance 40 years ago, while Opera Rara’s concert performance of Les Martyrs premiered a new.

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But I’ll bet you’ve never seen it. Some of us have heard it, though, or most of it, in its Parisian guise as Les Martyrs. That Opera Rara performance last year at the Royal Festival Hall, now also.

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The knotty gestation of Les martyrs, explained in impressive and patient detail in Opera Rara’s characteristically excellent documentation for this release, has traditionally been seen having left the.

Not a concept in sight at the Royal Festival Hall concert performance of Donizetti’s Les Martyrs by Opera Rara and the Orchestra of the Age of Enlightenment. Virtuoso singing by the cast led by.

Poliuto hasn’t been professionally staged in the UK in my lifetime, and not heard since a London concert performance 40 years ago, while Opera Rara’s concert performance of Les Martyrs premiered a new.

A chilly afternoon in London’s Shoreditch, and a handful of singers are gathered around a piano in the centre of a huge sky-lit loft, its walls lined with the bound scores of once‑forgotten operas.

Donizetti’s Les Martyrs, revived at the Royal Festival Hall by Opera Rara and Mark Elder.

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But what a pick we’ve had. Hot on the heels of a five-star Alcina at the Barbican comes this exceptional rarity from Opera Rara. Before the opera begins, the Roman Polyeucte has done two.

The knotty gestation of Les martyrs, explained in impressive and patient detail in Opera Rara’s characteristically excellent documentation for this release, has traditionally been seen having left the.

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